Simon Gikandi
James Ogude
Ndirangu Wachanga
Gayatri Chakravorty Spivak
Wanjiku wa Ngũgĩ
Mumbi wa Ngũgĩ
Ndũcũ wa Ngũgĩ
Nyambura Sallinen
Wangũi wa Goro
Karen Lawrence
Colette LaBouff
Angela Davis
Adriana Johnson
Mukul Kumar
Carla Wilson
Paa Kwesi-Heto
Akosua Adomako Ampofo
Chimee Adịọha
Baba Badji
Jaye Austin Williams
Cilas Kemedjio
Anindo Marshall
Kwame Rĩgĩĩ
Nii Armah Sowah
Sela Adjei
Victor Nani Agbeli
Mumbi Ngũgĩ
Fred Moten
Jimmy Centeno
Idza Luhumyo
Bwesigye Bwa-Mwesigire
Rah Hite
Tyrus Miller
Jane O. Newman
Jerry Lee
Ketu Katrak
Gabriele Schwab
David Theo Goldberg
Rajagopalan Radhakrishnan
Cecelia Lynch
S. Ama Wray
Munyao Kilolo
Glaydah Namukasa
Joel Veenstra







S. Ama Wray





S. Ama Wray is a choreographer, teacher, researcher, writer, director, performer, and inventor. A TEDx speaker, she has presented her work at the United Nations, Princeton, Harvard, the Institute for Advanced Studies, and Dance USA. She has taught dance at renowned institutions including the Martha Graham School, The Royal Ballet, and Alvin Ailey American Dance Theater. Her formation as a dance artist began with London Contemporary Dance Theatre and Rambert Dance Company. For over 30 years, dance has remained a joyful core of her being. Her collaborations span dance, theatre, and music, including work with Wynton Marsalis, Mojisola Adebayo, Bobby McFerrin, Nicole Mitchell, and Jane Dudley—whose seminal work Harmonica Breakdown (1938) Wray now serves as custodian. Awarded a PhD in Dance Studies from the University of Surrey, her academic journey led her to Ghana to study expressive performance practices. She is the creator and custodian of Embodiology®, an award-winning improvisational methodology rooted in African knowledge systems and embodied systems thinking. In theatre, Wray co-directed Stars: An Afrofuturist Space Odyssey, which won a British Offie Award for Best New Play. Her work bridges stage performance and community cohesion, integrating healing arts to counterbalance the growing technocracy that threatens our social fabric. Her writings on Embodiology® appear in The Oxford Handbook of Improvisation and British Dance, Black Routes (Routledge). Her forthcoming monograph, Embodiology®: From Ancestral Movement and Music Practices to Phenomenal Being, deepens this exploration. She continues to teach across diverse learning communities—from non-dancers to artists and medical professionals—sharing tools for embodied wellness and creative expression. A first clinical study on Embodiology’s effects was funded by the Susan Samueli Institute of Integrative Health. Recently, she returned to the virtual stage with The Legion of Kinaesonic Healers, advancing an arts-social pharmacy to support community medicine and public health. Currently in development is MOVE (Movement and Music Optimize Vitality), a research lab examining urban, indigenous, and ancestral practices of dance and music to integrate them into health systems—especially by creating pathways for traditional practitioners to shape research agendas. In education, Wray has designed Embodiology® professional development programs for New York City Public Schools and the Los Angeles Unified School District, offering teacher wellness tools and improvisation strategies to enhance student learning outcomes. As a National Endowment for Science, Technology, and the Arts Fellow, she pioneered Texterritory, a mobile phone-based interactive storytelling performance. Her innovations continue through AI 4 Afrika, an initiative she co-founded with scholars, choreographers, data scientists, and entrepreneurs to explore the intersection of African knowledge systems and emerging technologies.




The Celebration of the Life and Work of Ngũgĩ wa Thiong'o is made possible through the support of the:

UCI Office of the Chancellor
Dean of the School of the Arts
Dean of the School of Humanities
Dean of the School of Social Sciences
Humanities Center
International Center for Writing and Translation
UCI Interdisciplinary Center for the Scientific Study of Ethics and Morality
Center for Global Peace and Conflict Studies
Office of Inclusive Excellence
UCI Illuminations: The Chancellor's Arts & Culture Initiative
Alex Glasser The Center for the Power of Music and Social Change
Department of Anthropology
Department of Comparative Literature
Department of Drama
Department of English
Department of Dance

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Organized by:


Adriana Johnson
Jane O. Newman
Gabriele Schwab
Ketu Katrak
Jerry Lee
Cecelia Lynch
S. Ama Wray